Archive

Careless Nature

Careless Nature, Møstings hus, Copenhagen, 2019.

Forgetful Nature

Careless Nature

The Ellstorp Lot, Malmö, colour photograph 20 x 30 cm mounted on mould-made paper, 50 x 65 cm, 2019.

Careless Nature

The Ellstorp Lot, Malmö, colour photograph 20 x 30 cm mounted on mould-made paper, 50 x 65 cm, 2019.

Careless Nature

The Beauvais Lot, Copenhagen, colour photograph 20 x 30 cm mounted on mould-made paper, 50 x 65 cm, 2019.

Careless Nature

Forget-me-not, sketch for walldrawing, watercolour, 30 x 40 cm, 2019.

Careless Nature

Careless Nature, Møstings hus, Copenhagen 2019. Forget-me-not, walldrawing.

Careless Nature

Careless Nature, Møstings hus, Copenhagen, 2019.
From left: Grey # 15, Grey # 14, Grey # 16, Grey # 17, 2019.

Grey # 17


Grey # 17, pencil on paper, 50 x 65 cm, 2019.

Grey # 16


Grey # 16, pencil on paper, 50 x 65 cm, 2019.

Careless Nature

Careless Nature, Møstings hus, Copenhagen, 2019.
From left: Grey # 12, 2018, Grey # 10, 2017.

Grey # 15


Grey # 15, pencil on paper, 50 x 65 cm, 2019.

Grey # 14


Grey # 14, pencil on paper, 50 x 65 cm, 2019.

Grey # 13


Grey # 13, pencil on paper, 50 x 65 cm, 2018.

Grey # 10


Grey # 10, pencil on paper, 50 x 65 cm, 2017.

Grid – patterns in grass

Amorpark 17.5.2019
In May Maria Finn and landscape architect Jacob Kamp installed a temporary artwork in grass, Grid, in the Amorpark in Copenhagen. The work used the existing lawns that were cut in a grid, where the squares in the pattern were allowed to grow high, while the stripes were cut down and created paths where you could walk. To enforce the biodiversity in the city, the grass are allowed to grow high several places in the city’s parks and this was utilized in Grid to create a spatial element that offers a new experience of the park.

Grid – patterns in grass

Amorpark 11.6.2019

Grid – patterns in grass

Amorpark 14.7.2019

Grid – Patterns in Grass

Amorpark 30.7.2019

Grid – patterns in grass

Grid, pencil drawing 29 x 42 cm, 2018.

Drawing Attention

From left: “Las babas del diablo”, HD video, 5:44 min., 2010., “Las babas del diablo I – III”, pencil drawings, 72 x 104 cm, 2009.

Everything Represents, Nothing is – Ingmar Bergman and the Arts

“Summer after Monika” in “Everything Represents. Nothing is” at Centre of Photography, Copenhagen, also at Gävle Konstcentrum 2018, and Silkeborg Bad 2019.

Det største i det mindste, det mindste i det største

Skimrende kalk, catalogue text for Rikke Ravn Sørensen’s public work Det største i det mindste, det mindste i det største, Ballerup Psykiatriske Center, 2018.