“Hypothetical Picnic III”, pencildrawing 29,7 x 42 cm, 2023.
Hypothetical Picnic
Hypothetical Picnic
Hypothetical Picnic
Daydream # 18, 19 (Kynnefjäll), digitalt prints.
Hypothetical Picnic
Daydream # 18 (Kynnefjäll), digitalt print on barytapapir mounted on dibond, 130 x 86 cm, 2021.
Hypotetisk picknick
Daydream # 19 (Kynnefjäll), digitalt print on barytapapir mounted on dibond, 130 x 86 cm, 2021.
Hypothetical Picnic
The Zone, embroidery, linen/cotton, 170 x 150 cm, 2024, further down Barsebäck I, photo banner, 390 cm x 260 cm, 2022.
Hypothetical Picnic
Barsebäck II, III, photo banner 390 x 260 cm, 2022. Hypothetical Picnic, HD-video, 10 min., 2023.
Hypothetical Picnic
Hypothetical Picnic I – V, pencildrawings on paper, 29,7 x 42 cm, 2023.
Hypothetical Picnic
“Hypothetical Picnic I”, pencildrawing 29,7 x 42 cm, 2023.
Hypothetical Picnic
“Hypothetical Picnic II”, pencildrawing 29,7 x 42 cm, 2023.
Hypothetical Picnic
Eclipsed (Lena), pencildrawing on paper, 50 x 65 cm, 2023.
Hypothetical Picnic
Eclipsed (Maria), pencildrawing on paper, 50 x 65 cm, 2023.
Hypothetical Picnic
Eclipsed (Lotta), pencildrawing on paper, 50 x 65 cm, 2023.
Hypothetical Picnic
Hypothetical Picnic I, watercolour, 30 x 40 cm, 2023.
Hypothetical Picnic
Hypothetical Picnic II, watercolour, 30 x 40 cm, 2023.
Hypothetical Picnic
Hypothetical Picnic III, watercolour, 30 x 40 cm, 2023.
Misreadings
Misreadings, Bergkvara konsthall, Sweden, 2023. A series of interpretations of textile patterns by Viola Gråsten.
Misreadings
Törnrosa (efter Viola Gråsten), embroidery linen/cotton, 150 x 173 cm, 2022.
Misreadings
Grey # 11, 2017, pencildrawing on paper, 50 x 65 cm.
Misreadings
Grey # 12, 2017, pencildrawing on paper, 50 x 65 cm.
Misreadings
Grey # 25, 2021, pencildrawing on paper, 50 x 65 cm.
Careless Nature 2017-2022
Careless Nature
Careless Nature
Careless Nature
Careless Nature
Careless Nature
Daydream, Den Frie
Daydream
Daydream
Daydream
Daydream
Daydream
The Danish Pavillon in Griffenfeldsgade, LOKALE
Unfinished
Unfinished
Texts from the collection Unfinished, about time, fiction and memory.
Pist Protta # 91
Tower to Tower
Tower to Tower
Tower to Tower
Unfinished # 20, 29 x 42 cm, 2018.
Tower to Tower
Grid – landscape pattern
Kivik Art Centre 5.5.2020
In Kivik Art Centre’s unique environment, visual artist Maria Finn and landscape architect Jacob Kamp established the work Grid in a wheat field, in the summer 2020. Grid had previously been established in Amorparken in central Copenhagen in 2019, where a grid pattern was transferred on the lawns. In the squares, the grass was allowed to grow high while the passages were cut so that visitors could move through the work and thus get a different experience of the park. The work Grid was reestablished at Kivik Art Centre, where the part of the wheat field that leads to Snöhetta’s sculpture Viewfinder was cut in the same geometric pattern. The corridors made it possible for the visitor to move through the field to reach to Viewfinder, which made the landscape accessible in a completely new way. By moving through the wheat field the visitor experienced it up close, and not from a distance, offering an intimate experience of fields we usually only pass by.
Grid – landscape pattern
Kivik Art Centre 21.6.2020
Grid – landscape pattern
Kivik Art Centre 21.6.2020
Grid – landscape pattern
Kivik Art Centre 21.6.2020
Periskop # 24
Writingplace # 4
Careless Nature
Tower to Tower – Gigantism in Architecture and Digital Culture
Careless Nature
Forgetful Nature
Careless Nature
Careless Nature
Careless Nature
Careless Nature
Careless Nature
Careless Nature
Grey # 17
Grey # 16
Careless Nature
Grey # 15
Grey # 14
Grey # 13
Grey # 10
Grid – patterns in grass
Grid – patterns in grass
Grid – patterns in grass
Grid – Patterns in Grass
Grid – patterns in grass
Drawing Attention
Everything Represents, Nothing is – Ingmar Bergman and the Arts
Det største i det mindste, det mindste i det største
Free Art, Free Children
Transforming Patterns
Patterns in Memory
Patterns in Memory
Patterns in Memory
Patterns in Memory
I Never Promised You a Rose Garden
Patterns of Behaviour
30 Insignificant Minutes
Architecture and Control
Pist Protta # 80
Mirakel (after Josef Frank)
Mirakel (after Josef Frank)
Mirakel (efter Josef Frank)
Mirakel (after Josef Frank)
About Losing
“About Losing”, DVD, 3:13 min., 2015. “The Free Exhibition”, Den Frie – Centre for Contemporay Art, Copenhagen, 2017.
Four Telegrams and a Short Story
Four Telegrams and a Short Story
Catleya I (after Josef Frank)
Catleya II (after Josef Frank)
“Catleya III (after Josef Frank)”
Las babas del diablo I
“Las babas del diablo I”, pencildrawing 73 x 104 cm, 2009.
Las babas del diablo II
“Las babas del diablo II”, pencildrawing 73 x 104 cm, 2009.
Las babas del diablo III
“Las babas del diablo III”, pencildrawing 73 x 104 cm, 2009.
Four Telegrams and a Short Story
Telegram (US Tree after Josef Frank)
Telegram (Lyon after Josef Frank)
Telegram (Catleya after Josef Frank)
The Spring Exhibition 2016
Patterns of Behaviour
Patterns of Behaviour
Patterns of Behaviour
The Spring Exhibition 2015
100 x Spring
Installation view ”Honeysuckle I – IV (after William Morris)”, 2014, ”100 x Spring”, Den Frie Centre of Contemporary Art.
100 x Spring
”Honeysuckle I – IV (after William Morris)”, pencil on paper under glass, 2014.
Honeysuckle (after William Morris) II
Honeysuckle (after William Morris) III
Honeysuckle (after William Morris) IV
Refuge
Refuge
From left: “Summer after Monika”, DVD 5:32 min., 2007. 8 sketches for walldrawings, “Summer after Monika, act I – VIII”, watercolour on paper, 28 x 40 cm, 2007 – 2013.
Refuge
Refuge
Refuge
“Summer after Monika, act VIII”, sketch for wall drawing, watercolour on paper, 28 x 40 cm, 2013.
The Spring Exhibition 2013
“Defence Mechanisms”, pencil on paper, 29 x 42 cm, installationview “The Spring Exhibition”, Den Frie – Centre for Contemporary Art”, 2013.
The Spring Exhibition 2013
“Defence Mechanisms”, 10 pencildrawings on paper, 29 x 42 cm, 2013.
Defence Mechanisms: Sublimation
Defence Mechanisms: Isolation
Defence Mechanisms: Undoing
Kritik # 208
Artists as Researchers
Retake
Hidingplace, walldrawing, Retake, Tranen, Gentofte hovedbibliotek, 2012.
Retake
Retake, Tranen, Gentofte hovedbibliotek, 2012.
Hidingplaces I
Hidingplaces I, c-print 20 x 30 cm, 2012.
Han bøjede nakken og krøb ind under bordet. Efter et stykke tid begyndte hans nakke at gøre ondt og han var nødt til at lægge sig på siden. Han lå helt stille og døsede hen.
He lowered his head and crawled under the table. After a while his neck started hurting and he was forced to lie on one side. He lay perfectly still and dozed off.
Hidingplaces II
Hun kravlede ind under sengen og kunne derfra se fødder passere som siden standsede op. Når skridtene forsvandt ud af værelset rullede hun forpustet tættere på væggen.
She crawled under the bed. From there she could see feet walking past and then stopping. When the sound of footsteps disappeared from the room, she moved closer to the wall, feeling out of breath.
Hidingplaces V
Han gemte sig bagved gardinerne i entréen. Fødderne stak ud og han prøvede på at gøre sig så flad som muligt for ikke at blive opdaget. Han holdt vejret, men gav til sidst slip på luften med et dybt suk som han håbede ikke skulle afsløre ham.
He hid himself behind the curtain in the hall. His feet stuck out and he tried making himself as flat as possible so as not to be noticed. He held his breath but in the end he sighed deeply and hoped this would not reveal his presence.
Hidden Narratives
Hidden Narratives
Hidden Narratives
Boxes
The Exception and the Rule
The Exception and the Rule
The Go-Between
Restless
Les Paris sont ouvert
Dad
Dad
Images Between the Word and the film
Images Between the Word and the Film
Gaps in the Landscape
Images Between the Word and the Film
Images Between the Word and the Film
Parkscenario
She gave her a hug when they met which made her hope that she had been forgiven. Walking along very closely together, they laughed a bit too loudly every time the other one said anything. You could even hear them laughing when they disappeared behind the bushes.
Parc de la Villette III, c-print 15 x 22 cm, 1999.
Parkscenario
After sitting on the bench for a while, she noticed that a man nearby was watching her. She gets up and leaves but cannot help turning around to look at him.
Parkscenario: Parc de la Villette II, c-print 15 x 22 cm, 1999.
Parkscenario
She is wearing a tightly fitting black coat. In a low voice she tells herself that she should not have left him alone again.
Parkscenario: Parc de Buttes-Chaumont I, c-print 15 x 22 cm, 1999.
Las babas del diablo
The Cinematic Experience
Technically Sweet, New York
A Technical Problem
The Making of Technically Sweet
In Silent Conversation with Ingmar Bergman